Gulf cinemas scale up as APAC streaming reshapes the screen: Saudi openings, Thailand’s SVOD surge, and regional tie-ups set 2026 stage

The entertainment landscape across the Gulf and Asia Pacific is moving through a synchronised upgrade: in the GCC, multiplex operators are planting anchors inside destination megaprojects while cultural programming broadens audiences; in APAC, premium streaming is consolidating l

Tom Whitmore

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Tom Whitmore

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Nov 24, 2025

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3 min

Gulf cinemas scale up as APAC streaming reshapes the screen: Saudi openings, Thailand’s SVOD surge, and regional tie-ups set 2026 stage

The entertainment landscape across the Gulf and Asia Pacific is moving through a synchronised upgrade: in the GCC, multiplex operators are planting anchors inside destination megaprojects while cultural programming broadens audiences; in APAC, premium streaming is consolidating leadership in Southeast Asia’s largest consumer markets, coaxing Hollywood and Asian studios into deeper distribution alliances. Together, these threads suggest a 2026 slate that’s more hybrid than ever—part cinema spectacle, part regionalised, premium SVOD.

Saudi Arabia: premium screens and culture events pull in varied audiences

Saudi Arabia’s cinema build-out—already one of the fastest since the sector reopened—keeps gathering pace. Majid Al Futtaim (MAF) is extending VOX Cinemas inside Diriyah Square, a flagship destination that’s bringing global retail and leisure brands to Riyadh; the co-location effect matters because multiplexes bundled with fashion, fitness, and F&B drive higher dwell time and per-capita spend. MAF’s announcement highlights a cluster of premium brands rolling out at the site, signalling consistent footfall for cinemas once the district opens its doors. Campaign Middle East

Programming variety is also widening. In early November, Riyadh hosted the European Film Festival’s fourth edition, screening films from 15 countries with Arabic/English subtitles, backed by the EU delegation, Arabia Pictures, the Saudi Film Commission and VOX Cinemas. Festivals like this cultivate cinephile communities and help multiplexes fill weekday slots with cultural content that complements tent-poles. Arab News

Meanwhile, the commercial pipeline remains active. VOX’s KSA slate lists “Zootropolis 2” opening Nov 27, 2025, which will test late-Q4 family traffic in the kingdom; dub/local-language versions tend to outperform during school breaks. Strong late-November programming can also carry momentum into national-day and year-end promotional windows. ksa.voxcinemas.com

APAC: premium SVOD hits an inflection in Thailand—content deals tighten

Across Southeast Asia, Thailand has emerged as the region’s largest premium subscription-video (SVOD) market in 2025, according to Media Partners Asia (MPA). For global platforms, Thailand’s consumer spend signals that growth is migrating from pure subscriber acquisition toward ARPU and premium packaging (sports, anime, K-dramas). For local telco-bundled platforms, it validates carrier billing and discounted annual plans that reduce churn. Thailand Business News+1

The strategic response is visible in content-supply alliances. Warner Bros. Discovery and Korea’s CJ ENM inked a multi-year Asia-Pacific partnership that creates a branded TVING hub on HBO Max in 17 markets, bringing exclusive K-drama premieres and hundreds of hours of library titles; the hub launches in early 2026, which lines up with the post-holiday marketing window and awards-season halo. For Southeast Asian streamers competing with short-form and local AVOD, premium Korean drama remains a proven growth lever. Avia

Disney, for its part, is fine-tuning its Asia bet: executives have flagged sports and anime as linchpins to shore up the regional P&L for Disney+ and the broader bundle (with ESPN plays where rights economics work). In markets like Indonesia, Thailand and the Philippines, sports rights—if priced sensibly—can raise willingness to pay and cut churn, while anime’s passionate base supports merchandise and theatrical cross-overs. Bloomberg

Why this is a single story (not two)

For years, cinema vs. streaming framed a zero-sum debate. The GCC/APAC evidence now points to mutual reinforcement:

    What to watch next (2026 setup)

      Bottom line: Gulf exhibitors are anchoring premium, destination-led cinema as APAC streaming tiers move upmarket. Rather than cannibalising, the two channels are learning to co-market across windows—and the winners in 2026 will be those who stitch theatrical peaks to streaming cycles with the right localised content and pricing.

      Tom Whitmore

      Written by

      Tom Whitmore

      Senior correspondent · Technology & Energy

      Tom trained as an electrical engineer, which makes him unusually patient with infrastructure stories. He reports on AI, cloud, the energy transition, and the businesses turning frontier engineering into real cash flow. Previously he covered the chip supply chain from Taipei. Skeptical of slide decks; comfortable in a substation. Based in Singapore. Reach out at tom.whitmore@theplatinumcapital.com.